Japanese sculptor Masao Kinoshita is prolific in a variety of media — wood, clay, plaster, bronze, stone. His works take an interest in the extreme physical feats of the human anatomy and add to these feats with fantastical details culled from folklore, mythology and religion. A prominent series in Konishita’s body of work is his muscle sculpture series, which exposes what lies beneath a creature’s skin. The sculpture series displays the intricacies of our flesh.
Kinoshita goes beyond straightforward human or animal subjects, presenting multiple-limbed creatures (like his interpretation of the Hindu deity Ganesh) contorted in various poses, flexing for the audience like body builders at a pageant. Some of his works keep the skin intact, like his yoga sculptures, which conjure up impossible achievements of flexibility and strength. The yoga sculptures take inspiration from centuries-old Southeast Asian art from the region where the now-widespread practice first evolved. Our musculature makes existence as we know it possible, but Kinoshita thinks beyond the limitations of the body to create finely-tuned works that alienate us from what we often take for granted.
I inspired from this sculpture work, the muscle behind our flesh, it’s intricate and complex, so I want to use this idea which is beyond the visible body, there are many interesting different shape. When I control the ear movement with muscle, it is associated with the head and neck, so the shape will exchange a lot. Besides, I relate it to not only the human being also the animal, there are many different shapes of ears and the distribution of muscle is different.